Portraits from the first 100 years of photography
If you've already looked at the previous post, Jeanne Fouillon and her beautiful harp, then you've already seen the portrait above. When I put that post together last week, I hadn't yet tried to identify the dignified gentleman with the harp. It seemed like a long shot, but one that might be worth a try. ... Continue Reading →
Is there any instrument as angelic to the ear and eye as the harp? I had hoped to find a reference to Jeanne Fouillon online, but haven't succeeded so far. Her harp is certainly very graceful and beautiful to the eye. The carte-de-visite was made by Augustin Michel in Grenoble, France, around 1890. Jeanne's... Continue Reading →
This couple has flair! Her dress is decorated with intricate beadwork, ribbons and flowers. Could it be a wedding dress? What do you think? The cabinet card was made by the studio of William James Wellsted & Son. The back is dark green (blank).
This small snapshot came from England, but with no information about who's in it or where it was taken. Notice the can of Shell gas on the running board below. These gals were prepared. The camper (called a caravan in the UK) is a Car Cruiser model from the 1920s. You can see a... Continue Reading →
A note on the back of this studio portrait says either "Harold Winnie" or "Harold & Winnie." While Winnie could be a last name, it's more likely the first name of the girl on the left, who must be Harold's sister. The studio is identified on the mat just below the image: Gordon & Blees. ... Continue Reading →
If you've been following this blog for a while, you may remember a post from last October titled School dog and her charges (UK). I had bought that CDV because the group portrait included a dog posing charmingly with students. Then, after scanning it, I had noticed that one of the girls was of mixed-race... Continue Reading →
Here's another occupational carte-de-visite from England. It looks like an early one, maybe early 1870s. At the mouth of the River Tyne on the North Sea, South Shields was a major shipbuilding center from the 1850s onward. The photo was taken in an industrial setting, possibly a shipyard, by a photographer from the studio of... Continue Reading →
This carte-de-visite may have been made at High Brooms Brick and Tile Company, founded in 1885 in Southborough, Kent, England. It's hard to tell what the father is sitting on, but we can see he's wearing gaiters of some sort below the knees, probably to keep his legs dry or clean. The photographer is identified on... Continue Reading →
Here's another fun cabinet card from the UK. The words "Photo Co-op" are printed below the photo in the lower left corner. I didn't find any reference online to a studio by that name, and the card has no other information on it. The photographer added tiny spots of ink to the eyes of the... Continue Reading →
The wedding party in this cabinet card portrait is unusual in its diversity. The young woman at lower right appears to have Down syndrome, while the little boy at the front of the group is of mixed-race ancestry. Oddly, the bride's face is completely obscured by her veil, making her unrecognizable. She sits at the... Continue Reading →
Built in 1914 at Swindon Works in Wiltshire, England, the steam locomotive Princess Victoria (4048) remained in service until 1953. On February 28, 1922, HRH Princess Mary was to marry Viscount Lascelles, future Earl of Harewood, and a locomotive was required for the royal train. The logical choice would have been an existing engine in... Continue Reading →
I had never heard of Jean Ingelow before I saw this carte-de-visite, but her pose and expression charmed me. It was made by the studio of Elliott & Fry in London, where she lived. The daughter of an English banker father and a Scottish mother, she was the oldest of ten children. Jean Ingelow (1820-1897)... Continue Reading →
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