Portraits from the first 100 years of photography
This cabinet card portrait was made by a photographer named G.J. Maddison, whose studio was at 9 Norfolk Road in Dalston, which is in the London Borough of Hackney. (In 1938 Norfolk Road was renamed Cecilia Road.) I haven't found any information about Maddison yet. Among the boys, we can see tennis rackets and... Continue Reading →
This cabinet card photograph came to me from Herefordshire, England, but could have originated elsewhere. It has nothing written or printed on it. Update (March 21): Readers quickly informed me that the man in the photo was a postman. His hat has the letters GPO on it, for General Post Office. (Thank you to Val,... Continue Reading →
At the top of this cabinet card photograph is a painted sign: John Rigby, Boot & Clog Maker. Under that is another sign: Longshaw Post Office. Wikipedia describes Longshaw as "a small residential and agricultural area within Billinge Higher End at the western boundary of the Metropolitan Borough of Wigan, in Greater Manchester, England." Historically,... Continue Reading →
I don't know what the proper administrative term would be for this group, but they must have worked together as a team. Someone wrote Devonshire Hospital on the back of the postcard, but nothing else. If anyone sees any clues about when the photo might have been taken, please leave a comment. Devonshire Hospital closed... Continue Reading →
This carte-de-visite came to me from Massachusetts, but it didn't originate there. The title of the post is taken from a handwritten note on the back. Update: Readers all agree that the location referred to was most likely the village of Leeds in Kent: The British Hop Association has the following information on its website: The... Continue Reading →
The woman in this carte-de-visite portrait isn't identified anywhere on the photo. When I bought it last year, I never expected to learn her identity. Three weeks ago, while browsing the website of Britain's Royal Collection Trust, I noticed a woman who looked very familiar. The first thing that drew my attention was her shawl,... Continue Reading →
The man above is Henry Lenthall (1819-1897), a photographer who operated a studio at 222 Regent Street, London, where the photo was printed. The studio had been established in 1856 by pioneering daguerreotypist William Edward Kilburn (1818-1891), when Kilburn moved there from his original (smaller) studio at 234 Regent Street. In 1862 Kilburn retired from... Continue Reading →
Update, November 8, 2018: Thanks to the research efforts of my brilliant readers, I'm able to update this post with information about the group above. The following quotes in italics are from a web page, Friends War Victims Relief Committee in the Franco-Prussian War, on the site quakersintheworld.org: The first official Friends War Victims Relief... Continue Reading →
This cabinet card was listed for sale in England without any information, and only after receiving it did I see "F DOWNER WATFORD" in the lower right corner of the image. Frederick Downer (1840-1919) was the first commercial photographer in Watford, which is 15 miles (24 km) northwest of central London. Mandolin ensembles and orchestras arose... Continue Reading →
If you've already looked at the previous post, Jeanne Fouillon and her beautiful harp, then you've already seen the portrait above. When I put that post together last week, I hadn't yet tried to identify the dignified gentleman with the harp. It seemed like a long shot, but one that might be worth a try. ... Continue Reading →
Is there any instrument as angelic to the ear and eye as the harp? I had hoped to find a reference to Jeanne Fouillon online, but haven't succeeded so far. Her harp is certainly very graceful and beautiful to the eye. The carte-de-visite was made by Augustin Michel in Grenoble, France, around 1890. Jeanne's... Continue Reading →
This couple has flair! Her dress is decorated with intricate beadwork, ribbons and flowers. Could it be a wedding dress? What do you think? The cabinet card was made by the studio of William James Wellsted & Son. The back is dark green (blank).
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