Portraits from the first 100 years of photography
Labor to keep alive in your breast that little spark of celestial fire called conscience. --George Washington On February 21, 1906, an unknown photographer created this time capsule of the inside of a fifth-grade classroom. The photo is mounted on a card, on the back of which is a note: "Leighton's First School, Bellefontaine, O." ... Continue Reading →
This studio portrait is a mystery to me. Like the wedding portrait in the previous post, it came from Texas with no information. The words DEMACHI. SAITO. SEI. are printed below the photograph on the cardboard mount. If anyone knows what they mean, please comment below! Two of the men are wearing hats with red... Continue Reading →
This undated postcard was addressed by a man named René to a friend, also named René, who was probably working at the Café Monico in London. The sender is very likely one of the men in the group above. The postcard was printed by the firm of G. W. Gibson in Coldstream, a town in the... Continue Reading →
This formal portrait has a handwritten inscription on the back: "Rudolf Holsti, Tallinna, 1923, helmikussa." Tallinn is the capital of Estonia, and helmikussa means February in Finnish. Rudolf Holsti (1881-1945) became one of the founding fathers of the Republic of Finland after that country declared its independence from Soviet Russia in December 1917. He served... Continue Reading →
This snapshot was for sale in a shop near Bellows Falls, Vermont, called The Big Red Barn. The names of the women in the photo are written on the back, along with the location: Elliot Elm Cafe, Brattleboro, VT. I haven't found any information about the Elliot Elm Cafe, but the Elliot Street Cafe was located... Continue Reading →
This photograph came from a dealer in Llangefni, Wales, who didn't know where it had originated. It appears to be a gelatin silver print, mounted on heavy cardboard, and I'd guess it was made around 1900. Although the photo isn't particularly old, the image has a timeless quality. Nothing about it looks modern or industrial.... Continue Reading →
The young man appearing on this carte-de-visite could be certain everyone would remember his profession. You might even say he was in tune with the latest trends in advertising and self-promotion. The one thing he neglected to do was write his name on the back, which is a pity. The CDV was made by James... Continue Reading →
I'm guessing about the relationships between the sitters in the previous post and this one. Do you think the baby in the portrait above looks like the one below? I think this may be the same child, a little older: In the decades after the Civil War, it was common for wealthy and... Continue Reading →
If you've already looked at the previous post, Jeanne Fouillon and her beautiful harp, then you've already seen the portrait above. When I put that post together last week, I hadn't yet tried to identify the dignified gentleman with the harp. It seemed like a long shot, but one that might be worth a try. ... Continue Reading →
If you've been following this blog for a while, you may remember a post from last October titled School dog and her charges (UK). I had bought that CDV because the group portrait included a dog posing charmingly with students. Then, after scanning it, I had noticed that one of the girls was of mixed-race... Continue Reading →
Here's another occupational carte-de-visite from England. It looks like an early one, maybe early 1870s. At the mouth of the River Tyne on the North Sea, South Shields was a major shipbuilding center from the 1850s onward. The photo was taken in an industrial setting, possibly a shipyard, by a photographer from the studio of... Continue Reading →
This carte-de-visite may have been made at High Brooms Brick and Tile Company, founded in 1885 in Southborough, Kent, England. It's hard to tell what the father is sitting on, but we can see he's wearing gaiters of some sort below the knees, probably to keep his legs dry or clean. The photographer is identified on... Continue Reading →
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