Portraits from the first 100 years of photography
The woman in this carte-de-visite portrait isn't identified anywhere on the photo. When I bought it last year, I never expected to learn her identity. Three weeks ago, while browsing the website of Britain's Royal Collection Trust, I noticed a woman who looked very familiar. The first thing that drew my attention was her shawl,... Continue Reading →
This carte-de-visite may be the only photo from South America in my collection. The family isn't named, but a stamp on the back identifies the studio. It looks like Compania Fotografica, Rivadavia 420, Buenos Aires: Avenida Rivadavia is a major thoroughfare, and 420 is in the heart of the downtown area, surrounded by museums and... Continue Reading →
The man above is Henry Lenthall (1819-1897), a photographer who operated a studio at 222 Regent Street, London, where the photo was printed. The studio had been established in 1856 by pioneering daguerreotypist William Edward Kilburn (1818-1891), when Kilburn moved there from his original (smaller) studio at 234 Regent Street. In 1862 Kilburn retired from... Continue Reading →
When I saw the carte-de-visite above, I wondered if it was a real scene or an elaborate joke. Could they really have sailed on ice? It turns out they could have! The sport is called ice yachting, and that's all I know about it. The guys to the left of the boat are skating and... Continue Reading →
One hundred and fifty-four years ago this week, seven friends sat for a portrait at Nathaniel L. Merrill's Photographic Gallery in Springfield, Vermont. They look young enough to be in high school, or perhaps recent graduates. The carte-de-visite photo has a revenue stamp on the back, affixed and cancelled by the photographer on December 22,... Continue Reading →
This carte-de-visite is part of a series called "Costumes de Suisse," published around 1869 by French photographer Adolphe Braun (1812-1877). Braun's studio was in Alsace, France, in the village of Dornach, near the borders with Germany and Switzerland. Each photo in the series presents a young woman in a traditional costume from a particular Swiss... Continue Reading →
Update, November 8, 2018: Thanks to the research efforts of my brilliant readers, I'm able to update this post with information about the group above. The following quotes in italics are from a web page, Friends War Victims Relief Committee in the Franco-Prussian War, on the site quakersintheworld.org: The first official Friends War Victims Relief... Continue Reading →
They must be two sets of twins. The back of this CDV doesn't tell us anything about them, but it does identify the photographer, C. W. Gill. I didn't find anything about Gill online. The Hubbard Block was built on Public Square by Volney Stow Hubbard in 1868, which is about when this photo was... Continue Reading →
The day of the party has arrived. She and her friends have been working on their dresses for weeks. "Let's take pictures!" "I don't know, I have a lot of things left to do. Maybe later." "It'll only take a few minutes to set up the camera. We might be too busy later." "You're right. ... Continue Reading →
The two cartes-de-visite above were made by Henry Cushing in Windsor, Vermont, in February 1865. Windsor is on the Connecticut River, which forms the boundary between Vermont and New Hampshire. The town is connected to Cornish, NH, by the Cornish-Windsor Covered Bridge, the longest wooden covered bridge in the United States. Coincidentally, the portraits were... Continue Reading →
The two cartes-de-visite on this page came from an antiques dealer in Greenfield, Massachusetts, in the northwest part of the state. On the back of the carte above is the name Adolphe with a question mark: The portrait was made at the studio of E.v. Eggert, which probably stood for Emmanuel von Eggert (see... Continue Reading →
The name "L.C. Pike" is written on the back of this carte-de-visite. Generally a name on the back of a portrait refers to the sitter, but not always, so it's important to try to find corroborating information. I searched on Ancestry for an L.C. Pike who was about forty years old in the early 1860s and... Continue Reading →
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