Portraits from the first 100 years of photography
This early carte-de-visite from India doesn't have the young woman's name on it, but it was listed for sale on eBay along with a few other photos from the same family, one of which had "Miss Collins" written on the back. The same young woman is in that photo, along with several young adults who... Continue Reading →
This carte-de-visite came to me from England (Northamptonshire), but it has nothing written on it to identify the sitter or photographer. The photo (print) was cut into an oval shape and glued onto a paper mount with an oval frame design already printed on it. Such cartes were generally made after someone had died, as... Continue Reading →
I wish I knew how this cabinet card came to Vermont. I bought it from a local antiques dealer, who couldn't tell me anything about it. When I looked at the writing on the back, my first thought was that it might be Armenian, but I wasn't sure. (For a large scan of the back,... Continue Reading →
I found this carte-de-visite for sale in Massachusetts, which is the state with the second-highest number of Portuguese Americans (after California). Who was this elegant young woman, posing confidently at an instrument a century and a half ago? And what kind of instrument was it, exactly? It looks too narrow to be a piano, yet... Continue Reading →
When I saw this carte-de-visite for sale on eBay in England, I assumed the sitter must have been a member of the Salvation Army (Leger des Heils in Dutch). The shape of her brooch resembles some of the shield pins worn by members of that organization, but the lettering doesn't look like anything I've seen... Continue Reading →
The woman in this carte-de-visite portrait isn't identified anywhere on the photo. When I bought it last year, I never expected to learn her identity. Three weeks ago, while browsing the website of Britain's Royal Collection Trust, I noticed a woman who looked very familiar. The first thing that drew my attention was her shawl,... Continue Reading →
The man above is Henry Lenthall (1819-1897), a photographer who operated a studio at 222 Regent Street, London, where the photo was printed. The studio had been established in 1856 by pioneering daguerreotypist William Edward Kilburn (1818-1891), when Kilburn moved there from his original (smaller) studio at 234 Regent Street. In 1862 Kilburn retired from... Continue Reading →
This photograph has faded and lost some of its clarity, but it's a photo I'm very glad to have. It was taken on a wintry day in Exeter, New Hampshire, outside a shop owned by my great-great-grandfather, Ivan Tilton Purinton (1843-1904). Signs on the wall say "I. T. Purinton" and "Carriage & Sign Painter." Also... Continue Reading →
This cabinet card portrait was made at the studio of Sweet & Kinloch in Rothesay on the Isle of Bute. A genealogy of the Sweet Family in the West of Scotland identifies one of the studio owners as Charles Sweet (1864-1945). Born in Glasgow, Charles opened his studio in Rothesay in 1889 with a younger partner,... Continue Reading →
This 19th-century photograph was printed on very thin paper and glued to a stiffer paper mount. At some point the mount was trimmed to the dimensions of a postcard, possibly so that it would fit into an album. The back is blank. I bought it from a dealer in Suffolk, England, who couldn't tell me... Continue Reading →
I wish I could tell you who this gentleman was, but I haven't the faintest idea. He looks like an intellectual, rather than a businessman or public figure, because of his plain attire and slightly disheveled hair. For some reason I want him to be involved with writing or publishing, maybe a newspaper editor or... Continue Reading →
The day of the party has arrived. She and her friends have been working on their dresses for weeks. "Let's take pictures!" "I don't know, I have a lot of things left to do. Maybe later." "It'll only take a few minutes to set up the camera. We might be too busy later." "You're right. ... Continue Reading →
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