Seamstresses in Oppdal, Norway

Unlike the mill workers in the previous post, these two seamstresses appear to be posing outdoors, perhaps at a seasonal or mobile studio.  The photographer, Håkon Steinsheim (1860-1933), was based in the village of Oppdal, Norway.  (Historically, the name of the town was sometimes spelled Opdal.) The photo (cabinet card) came to me from Wisconsin.... Continue Reading →

Mill workers

This photograph has nothing written or printed on it to suggest where it might have been taken.  It came to me from Maine, so it may have originated there or in another northeastern state.  The setting appears to be a textile mill.  My guess for a time period would be 1895-1905. The surface of the... Continue Reading →

Young harpist in New Bedford

This cabinet card portrait was made at a studio in the port city of New Bedford, Massachusetts.  The studio belonged to a man named John O'Neil.  Google didn't turn up any information about Mr. O'Neil, so I looked at census records on Ancestry.  In the 1880 U.S. Census, I found a John E. O'Neil, age... Continue Reading →

Medical team in Pirmasens, Germany

This boudoir card photograph came to me from Maine.  The boudoir card format appeared in the mid-1880s as a slightly larger and more expensive alternative to cabinet cards.  The larger size was particularly suitable for group portraits.*  This one was taken in the town of Pirmasens, Germany, near the border with France.  The studio belonged... Continue Reading →

The choirmaster

This undated cabinet card portrait was taken in the ancient shipping town of Gravesend, Kent, England.  Gravesend is on the south bank of the Thames Estuary, about 21 miles (35 km) from central London.  The photograph was taken at the studio of Frederick Charles Gould, who became known for images he captured of the many... Continue Reading →

Hold on to your man

This cabinet card portrait was taken at the studio of F.B. Walcott in the town of Berlin, Wisconsin.  The back of the card has a logo with F.B. Walcott, successors to S.M. Taylor printed under it.  I've cropped and enlarged the logo, below, to make it legible.  The green background is unusual: (You can see... Continue Reading →

Romanian women in Sunday dress

This photograph was in a collection of materials dating to the years just before, during and after the First World War.  Printed on plain paper larger than a postcard, my guess would be that it was taken after the war.  On the back is a brief inscription in German: "Rumän. Bäuerinnen i. Sonntagsgewand" (Romanian countrywomen... Continue Reading →

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