A book which still reverberates

I found this cabinet card portrait for sale on eBay in England (Northamptonshire) in January of this year.  Books are common props in 19th-century studio portraits, but titles are usually too blurry to read, even after scanning them at high resolution.  In this case, the book is large enough that the title is easily readable at low magnification: Uncle Tom’s Cabin, the novel by American abolitionist Harriet Beecher Stowe.

Uncle Tom's Cabin 2

Neither the young woman holding the book nor the photographer is identified, so we have no way to know where the photo was taken.  Two questions come to mind.  First, was the portrait made in the United Kingdom, or was it made in the United States?  Second, was the book just a studio prop, or did the young woman pose with it because it had personal significance for her?

Uncle Tom’s Cabin first appeared in serial form, in an abolitionist periodical, in June 1851.  The first edition in book form was published in March 1852, followed by many editions in later decades.  I spent hours trying to determine the exact edition in the portrait, with the idea that it might help to date the photo, but I didn’t succeed.  I think the photo was taken in the mid-to-late 1890s, based on the young woman’s hairstyle and her style of dress, particularly her loose sleeves.

Wikipedia says the following about Uncle Tom’s Cabin.  I’ve highlighted two sentences in the third paragraph:

Uncle Tom’s Cabin; or, Life Among the Lowly is an anti-slavery novel by American author Harriet Beecher Stowe. Published in 1852, the novel had a profound effect on attitudes toward African Americans and slavery in the U.S. and is said to have “helped lay the groundwork for the Civil War.”

Stowe, a Connecticut-born teacher at the Hartford Female Seminary and an active abolitionist, featured the character of Uncle Tom, a long-suffering black slave around whom the stories of other characters revolve. The sentimental novel depicts the reality of slavery while also asserting that Christian love can overcome something as destructive as enslavement of fellow human beings.

Uncle Tom’s Cabin was the best-selling novel of the 19th century and the second best-selling book of that century, following the Bible. It is credited with helping fuel the abolitionist cause in the 1850s. In the first year after it was published, 300,000 copies of the book were sold in the United States; one million copies in Great Britain. In 1855, three years after it was published, it was called “the most popular novel of our day.” The impact attributed to the book is great, reinforced by a story that when Abraham Lincoln met Stowe at the start of the Civil War, Lincoln declared, “So this is the little lady who started this great war.” The quote is apocryphal; it did not appear in print until 1896, and it has been argued that “The long-term durability of Lincoln’s greeting as an anecdote in literary studies and Stowe scholarship can perhaps be explained in part by the desire among many contemporary intellectuals … to affirm the role of literature as an agent of social change.”

The book and the plays it inspired helped popularize a number of stereotypes about black people. These include the affectionate, dark-skinned “mammy”; the “pickaninny” stereotype of black children; and the “Uncle Tom,” or dutiful, long-suffering servant faithful to his white master or mistress. In recent years, the negative associations with Uncle Tom’s Cabin have, to an extent, overshadowed the historical impact of the book as a “vital antislavery tool.”

I read the novel in my late twenties, roughly twenty years ago.  I had relatively low expectations, but I remember finding it well-written and compelling.  As societies around the world grapple with racial stereotypes and their harmful consequences, it makes sense to consider both the strengths and the flaws of the best-selling novel of the 19th century.

Uncle Tom's Cabin 3

Happy Juneteenth!

 

30 thoughts on “A book which still reverberates

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      1. Wow, it may not be exactly the same but it’s so close. It was published in 1889 or earlier, which fits well with the estimated time period of the photo. I wonder why the book was still being published almost 25 years after enslaved Americans gained their freedom?

        Liked by 1 person

  1. I can’t add any insights around the photograph, but I remember reading Uncle Tom’s Cabin and having the same reaction that you did, Brad. As much as it had been vilified, I was surprised to find it well-written and compelling.

    Liked by 3 people

      1. Now that you mention a critical perspective, I think if I were still in college, I would like to dig into the social context for the book and what other communication media played a role in the abolition movement.

        Liked by 1 person

      2. The book is blamed for perpetuating certain stereotypes, but I wonder to what extent those stereotypes already existed in the North. Most Northerners had very limited contact with black people or with Southern society in general.

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    1. Thank you so much, Isabelle. Racist views cause people to treat others without empathy, and I think the primary accomplishment of Uncle Tom’s Cabin was to create empathy toward enslaved people, along with a greater understanding of their suffering. The world can always use more empathy.

      Liked by 1 person

  2. I think that second link is a match for her book. It does look like a deliberate prop, for sure. That is a book I have not read, but really need to, since I write and research so much about the mid-19th century.

    Liked by 1 person

    1. It won’t take you very long to read, and I think you’ll be glad you did. I remember liking it more than I expected to. With so much of our culture being reexamined right now–from statues to Aunt Jemima and Uncle Ben–this might even be a good time to read it.

      Liked by 1 person

  3. I never met a black person until I reached college, but I read Uncle Tom’s Cabin in 8th grade. Thinking back, it seems to me it was presented sympathetically: perhaps as a way to introduce us to the possibility that people quite unlike us were living in the world. It also was a way to raise some questions in our young heads about why it was that our sole black postman and his family were living in a nearby city, rather than in our town. I wish I could remember those class discussions; I’m sure they were interesting, if filled with naiveté.

    It’s also worth remembering that, however firmly we may reject stereotypes today, those stereotypes emerged because of reality. I’m thinking particularly of a dear friend, now in her 80s, who was raised in Mississippi. Her family was well-to-do, and she had a black ‘mammy’ with whom she was quite close. While the affection between the black woman and my friend was real, there’s no question that they were separated by not only race, but class. The gap may have been small, but it was there, and I suspect one of Stowe’s purposes was to insert her book into that crack, and widen it a bit so that it could be seen for what it was.

    Liked by 1 person

    1. The world was very different in 1851. Uncle Tom’s Cabin was a reflection of that world, as least as Stowe saw it and understood it. I’d be curious to know how she felt about the book and whether she saw her characters as realistic. She went to great lengths to defend the novel in the years after it was published, because the backlash against it was very strong.

      Liked by 1 person

  4. I don’t think this is a British woman, I think she’s more likely to be American. The clothing and styling is somehow wrong for Britain. The book was certainly popular here, I remember seeing copies of it in the fifties and sixties (probably second-hand) but I’m not sure I’ve ever read it.

    Liked by 1 person

    1. Your thoughts on her nationality are interesting, because I had the same reaction. I thought she looked American. About the book, I’m not sure many people read it here these days, but it’s still in print, which says something.

      Thanks for stopping by! I don’t think I’ll be posting quite as often going forward, but I’m still researching lots of photos, so I do hope to be posting once or twice a month.

      Liked by 1 person

      1. Well fashions for reading matter changes over the years, never more so than in recent years.

        I’m not online as much as before, and only posting sporadically to colouring the past. I might, in future, comment via one of my other two blogs as I’m using them a wee bit more often.

        Liked by 1 person

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