This postcard was made from an earlier portrait of William Brodie, an itinerant Scottish performer who called himself Heather Jock. Born in Paisley in 1802, he entertained village crowds into his seventies. His songs and dances were especially popular with children. In The Saturday Review (London) of Jan. 30, 1897, R. B. Cunningham Grahame wrote:
So no one asked his reasons, but accepted him just as he was, with headdress like an Inca of Peru stuck all about with pheasants’ and peacocks’ feathers, bits of looking-glass, adorned with heather, and fastened underneath his jaws with a black ribbon; with moleskin waistcoat; bee in his bonnet; humour in his brain; with short plaid trousers, duffel coat, and in his hand a rude Caduceus made of a hazel stick, in the centre a flat tin heart, set round with jingling bells, and terminating in a tuft of heather.
Heather Jock lived in retirement until the age of 82. The original portrait of him with the two boys was probably made around 1870. The postcard was made roughly 30 years later by taking a photograph of the original, then printing cards from the new negative. Some clarity and detail were lost in the process.
Scottish sculptor and printmaker Robert Bryden memorialized Heather Jock in an etching, which you can see here on the Future Museum website.
The card was mailed from Saltcoats, North Ayrshire, Scotland, on June 6, 1905. It arrived in Savannah, Georgia, on June 19, only 13 days later.